Mix colours to create the hues, tones and shades that you want Every artist thinks they can do better which is great as this is how we keep learning.Ħ. Don’t give up and take every opportunity to learn and enjoy the end result. Creating artwork takes time and a lot of patience. Take a break, have a cuppa and a biscuit and go back to your drawing board to carry when you are ready. Creating artwork using coloured pencils can be very time consuming and can easily become stressful. Light colours are far more forgiven so get this stage right before you start adding in the darker tones.Įvery piece of artwork has its own ugly stage. Dark pencil marks can be more difficult to remove from the paper so be careful. For that reason, start with your light colours and slowly layer in the darks. If you draw with a light colour over a dark colour you won’t get complete coverage. I recommend you test different types of paper to find your perfect drawing partner. I am working with Fabriano Artistico HP Watercolour paper 300gsm/140lbs and it has been perfect for me. Paper that is thicker is better in my opinion and it isn’t likely to tear when erasing or adding many layers. Look for paper that is acid-free, as this means that it is archival quality. This is very important as if you lose the tooth of the paper, you cannot get it back. Be patient and layer your colours to develop more depth from your image. A tooth on the paper will hold onto pencil pigment, making it easier to layer and blend colours whilst also making the colours appear brighter on the surface. If you use light pressure, you will be able to add more colour on the paper. It is important you don’t lose the tooth of the paper when you draw. This starts with building the foundation you will then build your detail upon. When working with pencils you need to remember that you will be using multiple layers to create depth and realism. When it comes to drawing a realistic image, understanding how the portrait will be built up is very important. I was also blown away by their green and purple range of colours as the pigments were so vibrant and really made my work jump off the paper when I used them.Ĩ Tips for creating realistic colour pencil drawings The lead is creamy yet strong enough to sharpen into a very good point for finer details as well. This is due to their texture allowing me to create the perfect foundation and blend with ease throughout the creation of my work. For how I like to layer and blend, Derwent Lightfast pencilswork perfectly. The strokes of the pencil are buttery smooth which is perfect for blending and highlighting. Also, with a huge choice of 120 colours and multiple sets available, the artists are able to achieve just about any colour approach imaginable.ĭerwent Lightfast pencils are also Oil-based pencils but their texture is waxier. The colour manages to feel soft and thick while still being easy to work with. Their cores are very strong meaning they can be sharpened to a very sharp point allowing you to handle extreme detailed aspects such as fur textures. Faber-Castell Polychromos are the most well loved Oil-based colour pencils by many artists including pet portrait artists and once you have used them you realise why they are held in such high regard. These two colour pencils complement each other perfectly bringing out their best qualities when used together. My favourite pencils are the Faber-Castell Polychromos and Derwent Lightfast Pencils. Fabriano Artistico HP Watercolour paper 300gsm/140lbs This article has been viewed 193,553 times.I use many materials and items to create my work but the main ones I primarily use after many cycles of testing are ġ. In this case, 95% of readers who voted found the article helpful, earning it our reader-approved status. WikiHow marks an article as reader-approved once it receives enough positive feedback. She also teaches at the Boca Raton Museum Art School - formerly at SVA in Manhattan. Renée has even painted a portrait of celebrity, Vanilla Ice. She has garnered numerous awards including “Artist of the Year” from The Bloomfield Art League and First Prize from the Boca Raton Museum Artist’s Guild. Renée is featured in over 68 shows and galleries including a one-woman museum show at the Paterson Museum. She has studied under internationally renowned portrait artists John Howard Sanden, David Leffel, Robert Beverly Hale, Clyde Smith, and Leonid Gervits. With over 50 years of experience, Renée specializes in painting realistically in oil and capturing the soul of the person. Renée Plevy is an Internationally Acclaimed Portrait Artist from New York/Palm Beach who has painted The Grand Dames of Palm Beach and various celebrities and community leaders. This article was co-authored by Renée Plevy.
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